Writing Adapted Screenplay

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As I discussed earlier with regard to “Revolutionary Road,” Claire and I are going to try to predict which screenwriter will win the award for Best Adapted Screenplay.  Now, I should be perfectly clear, we have absolutely no qualifications to do this, but so what.  While I don’t know which screenplay I’ll pick to win, I know it won’t be for “The Curious Case of Benjamin Button.”

I read the story of the same name by F. Scott Fitzgerald before I saw the movie not worrying that it would ruin the story; the previews already tell the story of a baby born old and growing younger in body.   In any event it was irrelevant, the only thing adapted from the short story to the movie was the title, that’s it.  Not a single fact is the same.  Moreover the concept is different.  In the Fitzgerald story, the baby is born mentally and physically old and both aspects of his life grow younger.  The story familiar to all of us who read The Confessions of Max Tivoli by Andrew Sean Greer of goola baby born physically old and mentally young, then grows younger in body but matures mentally with age, that is the ”Benjamin Button” movie plot line.  Mr. Greer explains that he didn’t know of the movie or the short story and the movie didn’t know of him until his book was published, which explains why the movie wasn’t named after Max.  However, it doesn’t explain why the movie is entirely different from the short story, yet still used its title.  If this concept intrigues you, I recommend the Tivoli book, it’s a nice read. Read the rest of this entry »

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My favorite time of the year for movies is Oscar season, not in February when the winners are announced, but during the period from Thanksgiving to New Years when the movies that could be in contention are released.  Here in Los Angeles, I’m surrounded by people in the Guilds who receive a stack of “screeners” allowing them to sit home in their pjs and watch what I’m paying $13 to see in chairs coated with popcorn grease.  Not that I’m bitter.  I’m particularly excited about this year’s crop because so many are based on literature – “The Reader,”  “Benjamin Button,” “Doubt” (okay, this one is based on a play, a really good play), “Revolutionary Road,” and, of course, “Marley and Me.”

On a lark, Claire and I decided to predict the winner of the Oscar for Writing, Adapted Screenplay, I’m hoping others will play along and give us their choices before the “big night.”  A little history for those of you who get snacks when this award is announced; there are two writing awards, one for writing a screenplay adapted from another work such as a novel or play (think Emma Thompson winning in 1995 for “Sense and Sensibility”) and the second for writing an original screenplay not based on any previously published work (think Tom Schulman in 1989 for “Dead Poets Society”).

I’m starting by looking at “Revolutionary Road,” screenplay by Justin Haythe, based on the novel of the same name by Richard Yates.  Leonardo DiCaprio and Kate Winslet are together again, but now on dry land.  They’ve had fake sex on film so many times I wonder if they even have to rehearse.  A brief synopsis that doesn’t give away the book:  Frank and April Wheeler are just turning thirty, living in the suburbs with two young children, April stays home with the kids while Frank commutes to a job he hates in the city.  The Wheelers were something special during their single/college years, but are now looking at their life and feeling trapped.  (Sidebar:  The book was published in 1961 and deals with the 1950s era, I find it interesting that the Wheelers have a home, two kids and a mid-life crisis by age 30 while currently we’re hoping our kids are out of the house by then.) Read the rest of this entry »

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