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Last fall, Horace Engdahl, permanent secretary to the Swedish Academy that picks the winner of the Nobel Prize for literature said “[t]he US is too isolated, too insular. They don’t translate enough and don’t really participate in the big dialogue of literature. That ignorance is restraining.”  After a moment of nationalistic irritation and a fleeting thought that Phillip Roth shouldn’t expect the Nobel anytime soon, I started to list which current books I’ve read in translation.  The list is short, less than one hand of fingers.  And I’m not alone, only three percent of the books published each year in the US are translated, so very few people are reading them.   If The Elegance of the Hedgehog by Muriel Barbery is an example of what other countries are producing, I’m missing out on a lot. 

I fell in love with The Elegance of the Hedgehog on the first page after I looked up “eructaton” (burp or fart):  “There he stood, the most recent eructation of the ruling corporate elite–a class that reproduces itself solely by means of virtuous and proper hiccups.”  The book is told through the voice of Renee, the concierge of  a fashionable Paris apartment building (the quote is her description of a tenant), and Paloma, the 12 year old daughter of one of the tenants.  Both hide their intelligence and lead largely solitary lives, but discover one another when a new tenant, Ozu, arrives. 

Character development rather than plot moves the book forward.  Before Ozu arrives, Renee and Paloma judge their world quite harshly.  Both assume most people are dumb, Renee is bitter about the class structure that she works overtime to keep in place and Paloma finds life useless.  Ozu, as the new person in the building and a cultural outsider, sees them clearly for who they are.  Their relationship with him and each other gives them the security and space to stop hiding, both physically and figuratively.

Muriel Barbery’s only private west coast appearance will be at a National Endowment for the Arts benefit sponsored by Literary Affairs on Saturday, April 25th, the tickets are quite reasonable.  Book Soup will be donating 10% of its sales at the event to the NEA.  I’ll be there, let me know if you’re coming also.

Muriel Barbery weaves together threads of philosophy (I prefer reading about philosophy than actually reading it), the meaning of Art, literature (now I want to read Proust), music (a completely unique Mozart “Requiem” experience), film, Japanese culture, and descriptions of food that will make Read the rest of this entry »

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What actually occurs in those meetings between an author’s agent and an editor?  Another funny attempt to clarify the mystery of publishing, this time by I’d Like to Have Been at That Meeting.  We’ve all heard that J.K. Rowling’s first Harry Potter book was rejected numerous times before finally being accepted, here’s how it happened . . .

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While the hue and cry is that e-readers are the end of books and bookstores as we know them, there are a growing number of voices that are discussing innovative ways to attract readers of every format without eliminating any options.   As discussed earlier, purchasers of HarperStudio books can buy the audio version or the e-readers version for an additional $2 each.  Even cheaper, for one price a customer can purchase a NelsonFree book and receive a code to download the audio and the e-book versions for free. 

 My favorite take on the issue is David Pogue’s humorous battle between a Kindle2 and a book.  Mr. Pogue demonstrates each of their strentghs and argues that one won’t eliminate the other.

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How’s that for a sexy title?

We’ve all seen firsthand how technological advances change the way we do things.   I haven’t made a phone call since the Internet was invented.  (Okay, that’s an exaggeration, but in my perfect world, I wouldn’t make anymore phone calls.)  Publishing is an old and established profession, but it’s not immune to technology’s advances.  I wrote an earlier post about electronic forms of books and whether their future is brighter (so to speak) than print.   But there are other ways that technology is changing the publishing world.

Recently, I was in New York and discussing my first book with someone in the publishing industry.  My first novel had a different publisher than my others and hadn’t sold very well (except oddly in France), so I was saying that I should try to get the rights back from the publisher and see if anyone might be interested in re-issuing it.  That was a possibility, the insider conceded, but, she added, these days the whole idea of a book’s being out of print has gotten a little fuzzy.  Read the rest of this entry »

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Shelf Awareness, my favorite morning e-mail, wrote a special issue on HarperStudio yesterday that highlights some responses to the ongoing publishing and bookselling issues.  It will be interesting to see how this attempt to adjust to the new reading and buying reality works out.  The post is well worth reading.  It discusses in detail some of the policies HarperStudio, a division of HaperCollins, is trying out.  Here are some of the main points:

  • HarperStudio is encouraging booksellers to buy the books on a nonreturnable basis by offering a large discount on these books
  • Advances are lower to the author in exchange for a larger potential royalty
  • People who buy the paper book with be given the option to buy it cheaply in downloadable audio and digital form so it can be read in all formats
  • Marketing will concentrate on the Internet by using social networking, Twitter, related blogs and similar avenues

The debut book, Who is Mark Twain?, a compilation of previously unpublished stories, will be out on  April 21st.  Six of the stories are unfinished, so there will be a “I am the Next Mark Twain” writing contest allowing the entrants to finish a story.  I’m looking forward to that!

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