London

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I kissed my family goodbye and sent them around the corner to the British Museum armed with a scavenger hunt to keep them busy and slipped in to the London Review Bookshop.  It was blissfully quiet.  Attached was a cake shop (rather than coffee, a reminder I was in England) where all I heard was the occasional rattle of a spoon.  I started the day at Westminster Abbey with hordes of people walking over the graves of unknown famous people; the din was headache inducing.  Next stop was Top Shop with my daughter.  After two hours of shopping with scads of people and booming music, I met my husband at the entrance and practically burst into tears.  I felt the silence of the bookshop envelope me and start to restore my equilibrium.

Here’s the thing I discovered about English bookstores, they are as silent as libraries.  The booksellers don’t chat you up.  They’re friendly and ready to help when asked, but they won’t find you in the aisle and start a conversation.  The patrons also don’t talk to each other, even the ones who know each other.  One evening on ‘the telly’ we watched a comedy show and the skit was about making noise in a bookstore.  The audience was laughing, but we didn’t get the joke.  In the States, the primary purpose of an independent bookstore is to match the perfect book with every customer, most of which is accomplished via conversation.  While I assume the British booksellers have the same goal, it doesn’t seem to be achieved through conversation.

As the name indicates, the bookstore is the retail outlet for the London Review of Books.  Of course all of the books reviewed are available, along with additional books recommended by the (silent) bookseller, plus many more.  I love this store.  The literary fiction is fairly high brow.  The most noticeable American presence was a large selection of books published by NYTRB.  It was a little disconcerting to walk into the fiction section and find so many unfamiliar books.  I asked the bookseller if there was a British novel that he felt flew under the American radar.  He immediately walked over to Remainder by Tom McCarthy.  Reading the synopsis on the back cover, about a man who lost his memory and uses a large settlement to recreate snatches of visions, intrigued me.  I bought it but decided not to read it on the plane.  It feels like a book that has an edge, maybe a bit of a creep factor, and I have enough flying issues.

The selection of non-fiction was outstanding.  I keep hearing that non-fiction sells better than fiction.  While not disputing that fact, the set up of many bookstores seems to emphasize fiction.  Not so at London Review Bookshop.  Here the numerous shelves of current affairs, history and political book shelves are upfront, the first one a visitor encounters.  Upstairs, the space dedicated to plays, poetry, literary criticism, and essays far outstrips most stores I’ve visited.  I recommend clicking over to the website to peruse the various topics.  Even better, check out the Reading Guides on a variety of topics, one is even entitled Quiet, Please!

London Review Bookshop

14 Bury Place

London, WC1A 2JL

Tel:  020 7269 9030

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Last year when we visited Italy, it was a very art heavy  vacation.  Wanting to make sure the kids would still want to go away with us, this year I kept the art light.  Having said that, there wasn’t a chance I was visiting London without going to the National Gallery.  And what better way to travel around the world in 2 hours than by visiting the British Museum?   For the National Gallery visit, we sent the kids back to the hotel in a cab and Keith and I met a guide from Context Travel who led us on a whirlwind 3 hour tour.  [This is my third experience with Context Travel and each one has been well worth the hefty price tag.]  For the British Museum, I sent the family on a scavenger hunt.  Everyone needed to find one item from each continent (Antarctica could be skipped if needed) and no one had to take a tour.  In the end, everyone was amazed by the Rosetta Stone, the Egyptian section and Elgin Marbles, without a word from me explaining their importance.  Perfect.  Here are my brief thoughts on the bookstores at each museum:

The National Gallery – The Bookshop

I found my favorite museum bookstore case:  it’s about 4 feet high and wide, has three shelves and is full of art fiction.  I’ve never seen a museum bookstore give this genre it’s own section.  The shelves contained Byatt’s Matisse Stories, Zola’s The Masterpiece, Pamuk’s The Color Red, and Rembrandt’s Whore by Matton and Black.  There were several books I hadn’t read and I’d forgotten all about Byatt’s book.

In general, this store is very similar to good museum stores in the US, not quite the Met Store, but then again, what is?  There is a wide selection of art theory, art history, technique, museum studies books.  The requisite large bookshelf dedicated to National Gallery publications.  A great kid’s section which made me long for the days when my kids loved museum stores until it occurred to me how much money I save by not buying the puzzle that is twice the normal cost because it is a famous painting.  We never did finish the Botticelli puzzle we bought last year, all that creamy skin got confusing.

The British Museum Bookstore

Tucked away in small room is the British Museum Bookstore.  It’s a space completely dedicated to and packed with books.  I’m not an anthropologist, but I’m guessing this store is an anthropologist’s dream.  The store is divided primarily by geography (Asia, India, Europe, Greece, Americas, Britain, Egypt) including all seven continents.  Not surprisingly Read the rest of this entry »

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Earlier this month, I highlighted a few Cleveland bookstores written about in The Plain Dealer.  I noted that one of the stores, Loganberry Books, started a book club for unsung books.  Loganberry picked 84, Charing Cross Road by Helene Hanff as the first book.  Whenever a bookstore appears on the blog, I forward the link to the store.  Harriett of Loganberry and I started a mini-correspondence, she recommended that I read the Hanff book because it is a series of letters between Helene Hanff and Frank Doel, the buyer for Marks & Co, a used bookstore in London.  I ordered the book from her.

I am so glad I did!  84, Charing Cross Road is twenty years of correspondence between Helene and primarily Frank, but also his family, neighbor and employees of the store.  Although they never meet, they grow to care deeply for one another through an epistolary relationship that starts with a request for books.  Helene earns the love of all of the employees by Read the rest of this entry »

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Worth Crossing the Pond for

First, I’d like to take a moment to say a huge thank you to everyone who has linked to Kim’s brilliant independent bookstore challenge or written us to say what a great idea it is.  I’m with you: I think it’s a great idea and I’m so glad others are onboard.   Kim gets all the credit although I can take pride in the fact that I didn’t stand in her way.  (Well, I did say I was scared of the challenge, so maybe I did stand in her way a little bit, but it takes more than that to deter Kim).  Anyway, yay for Kim!  And yay for everyone who’s enthusiastic about the challenge.

Now on to our friend Laura Sanderson Healy’s review of her favorite bookstore in London.  Laura actually lived in London for many years, so she knows what she’s talking about.   Laura is a former London Bureau correspondent for Time Inc. Magazines’ PEOPLE WEEKLY and its Australian sister publication WHO WEEKLY, and now that she lives in Los Angeles, she’s become a dear, personal friend of both Kim’s and mine.  Here’s her review, posted quite coincidentally on her birthday!  Happy birthday, Laura, and thanks–

On a recent trip to London I took the 14 bus from Piccadilly to Fulham to revisit Nomad Books near Parsons Green. There I pondered many titles unknown in the U.S. and purchased ME CHEETA, the “autobiography” of Tarzan’s co-star, tongue-in-cheek recollections illustrated by modern artwork of the world’s most famous chimpanzee which Sir Peter Blake curated to show alongside his own Pop Art at London’s National Gallery a few years back. Read the rest of this entry »

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Last week The Guardian ran an article about the closing of Murder One, a crime thriller bookstore in London.  The writer described the perfect bookstore,

Inclusive and without snobbery, Murder One amply demonstrated that the best bookshops are places not just of commerce, but of community; places that make feel you belong. It’s the kind of store that bibliophiles dream about: well-stocked, well-staffed and shabby enough to lose days browsing within. It’s just unfortunate that such shops don’t have enough paying customers to keep them afloat, or that these customers visit all too infrequently – something of which I’m certainly guilty.

He asks the question that all of us who love independent bookstores are asking, are we going to just wring our hands about the loss of another wonderful store or are we going to support them and shop in them so that they survive?  It’s all up to us.

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