art history books

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The underlying question for this erratic series on museum bookstores is whether or not the store is worth visiting independent of the museum.  Anyone who has ever walked into the Met’s bookstore knows there isn’t any suspense, it is the Queen of Museum Bookstores and always worthy of a special trip to visit.  The sheer size of the store would woo any art lover, it is significantly larger than most museums’ combined concession areas (bookstore, gift store, pop up stands, etc.).

Having spent the day at the Museum seeing the French paintings I read about earlier in the summer, I failed to leave enough time to explore the store.  I was proverbial kid in a candy store, everywhere I turned there were books I wanted to sample and buy. The book tables were organized geographically (this seems to be a trend in NYC, both McNally Jackson and Idlewild are similar) which was perfect for me.  I could find books about Realism, Orientalism and Impressionism, trends all were present in late 19th century French art, in one place.

Further in the store, I discovered sections devoted to each of the Museum departments, along with separate sections for reference, instructional and the usual artist monographs (here comprising a long wall of offerings).  I spent time in the criticism section and came away with two books:  The Painted Word by Tom Wolfe and Art and Culture:  Critical Essays by Clement Greenberg.  Greenberg was a proponent of abstract art and hugely influential in the emergence of 20th century American Art.  Wolfe isn’t so enamored with modern art or Greenberg, so I’m looking forward to an interesting dialogue between the books.

The Metropolitan Museum of Art publishes enough books to keep an art lover busy for a lifetime.  These books are displayed on several dedicated shelves in the store.  I momentarily dreamed of following the example of the kids in From the Mixed-Up Files of Mrs. Basil E. Frankweiler, E.L. Konigsburg, hiding in the museum and working my way methodically through the books and the holdings.  [As an aside, when my kids were younger, I read The Mixed-Up Files to them and made a list of the art mentioned in the book.  With that list, I designed my own tour for the kids at the Met.  It was the perfect way to introduce them to the collection without completely overwhelming all of us.]

My one disappointment with the store is that there isn’t a bookseller, or at least I didn’t notice anyone who could talk to me about books.  I’ve experienced this with all of the museum bookstores I’ve visited.  There are lovely cashiers, but not a resident bookseller who can guide me to the next great art history book that I would love.  In other bookstores, I can walk in and say I loved The Children’s Book by A.S. Byatt (which I did), what do you recommend I read next?  I greatly miss that interaction.

Metropolitan Museum of Art

1000 5th Avenue at 82nd Street

New York, New York  10028-0198

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If you’re interested in modern art, your Mecca is the Museum of Modern Art in New York City.  Room after room contain stunning examples of some of the best art in the last 150 years.  I spent an entire morning in the current Matisse exhibit and then all afternoon in the permanent collection.  On the way out, I stopped by the two MOMA bookstores.

My first test for a museum bookstore is what books are available to supplement the current exhibit.  For the Matisse exhibit, MoMA produced a stunning catalogue, Matisse:  Radical Invention 1913-1917. I bought the catalogue before visiting the museum, read most of it, and then brought it along with me.  This is a great approach if you love the art you are going to visit, I appreciated the paintings more than if I was just encountering them for the first time.  However, beware of the heft of catalogues, this one could throw out your back.  In the bookstore, there was a variety of Matisse related items, a few biographies, a book about his relationship (competition with?) Picasso, a small book about the MOMA permanent Matisse collection, and a collection of his writings.  It was very tempting not to pick up some of these gems, however, the catalogue was all I was willing to cart back 10 blocks to my hotel room.

The rest of the bookstores are equally as impressive.  There is one store located on the second floor mezzanine which can only be accessed with an entrance ticket, it is quieter and has a row of chairs for reading and perusing books.  The downstairs store has a wider selection.  MoMA publishes its own books that help access its permanent collection.  I bought a small book on Lichtenstein works in the permanent collection (simply called Lichtenstein) and read it over lunch.  I saw a Lichtenstein at SFMOMA, “Figures with Sunset,” that I fell in love with and was hoping to learn more about the artist at MOMA.  The book is terrific, in fact if I had more time at MoMA, I would by books on other artists in this series (Picasso, Van Gogh, Matisse).  In about 40 pages, the author, Carolyn LanchnerRoy, pinpointed Lichtenstein’s place in pop art and his foundation in and reference to art history in his works.  The disappointing part was that only one Lichtenstein was on view that day.  While I understand that there is limited space, if a museum is bothering to write a book about its collection of a certain artist, it should have more than one piece on view.

In addition to shelves of books published by MoMA (a catalogue of the permanent collection, a highlights book, catalogues from past exhibits), the bookstores have masses and masses of monographs on specific artists. Given the time frame that modern art covers (1860s onward) when technology created new genres of art, the stores include significant photography and film sections, topics generally not covered well in non-modern specific stores.  In general, it Read the rest of this entry »

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