memoir

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I Haven’t Read the Book

I’m fascinated by the reaction to Amy Chua’s Battle Hymn of the Tiger Mother, or more accurately, to the article about it in the Wall Street Journal.  Commentary has popped up in every newspaper, many blogs, and all over my Facebook page.  I’ve yet to talk to one person who actually read the book.  Here’s a mother, whose second child apparently schooled her on her parenting techniques, who touched a nerve.  Why does anyone care what she thinks?

Let me disclose from the beginning, I haven’t read the book, nor will I.  This doesn’t have anything to do with Chua.  I’ve read shelves of parenting books and mommy  memoirs and I really don’t think I could stomach another one.  The last parenting talk I attended the speaker flippantly asked “why are you here?  You’d be better off spending the time with your kids.”  I took him at his word.  Rather than reading various conflicting parenting techniques (don’t be a helicopter parent vs. make your kids practice the piano for three hours a day) either in memoir or how-to form, I spend the time with my kids.  It’s not that I think the books are wrong or useless, but at some point every parent has to decide the best method for her family and then, well, parent.

Racism as Marketing

I surmise that the reaction is less about the book (if you have actually read it, let me know what you think) and more about the WSJ article.  Chua sets up a comparison of her parenting and other approaches in such a way that her model brings forth better results.  Of course, she also set the standard for what is best.  Apparently, obtaining straight As the most important criteria in her family.   From the article, it seems that what her children do is valued far more than who they are.  The flood of commentary seems to buy into her paradigm and focus on ‘why other/my parenting is good.’  As if there is a need for justification.  As I’ve told my kids after a bad encounter on the playground, just because she said it, doesn’t mean it’s true.

Of course, I left out one important fact, she labeled her technique as Chinese and the other ‘failing’ approaches as Western.  She is Chinese and she didn’t invent the label, but the choice of terminology is deliberate.  I really question whether the reaction is about what she said or the fact that she labeled it as a ‘Chinese method.’  Would we care if this was written by a white, farm-girl from Indiana?  Or an immigrant from Chile?  I tend to doubt it.  I think the reaction says something about her and us and race.

We have a long history of race issues with the Chinese.  They built much of the transcontinental railway in the 19th century, but were largely unwelcome in society.  Many Americans reacted to the 2008 Olympic opening ceremonies with stunned awe mixed with a tinge of fear.  Now “China” is a sword used by both of the political parties to sway voters.  Remember those commercials depicting China as the next super power on election night?  That was the Republican attempt to scare us into supporting their policies.  Listen to Obama’s State of the Union last night with the comparisons to China?  His political subtext was ‘right back at ya’ to the Republicans.  As a nation, we’ve always struggled with the fear of ‘the other,’ now the prime ‘other’ is China.

It’s inconceivable to me that Chua didn’t know she was picking at this nerve to stir up discussion about her book.  Then again, if she’s spent endless hours drilling her kids, sitting next to them at the piano, and driving them to lessons, all without an afternoon off because they can’t visit a friend, maybe she’s clueless about the world.  But I doubt it.  Chua didn’t cause our problem with race, it is the responsibility of the entire American society past and present, but she did chose to market her book in a way that would stir this pot.  I’m all for exposing and discussing our race issues, pretending they don’t exist or hiding them (imagine my thoughts on the new Huck Finn edition) only strengthens one of the worst aspects of our country.  But it angers me that she used it to promote her book.

I couldn’t care less how she raises her kids or that she thinks her method is better; I do care that she marketed her book through her article in the WSJ in a racially sensational manner.  But then again, I wasn’t going to read it anyway.

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Several months ago I ran across the following twitter:  Do you blog?  Are you a Christian?  Do you like creative non-fiction?  My answer is yes to all three so I sent Amy Riley an e-mail.  Amy told me about a new award, the INSPY, designed to “discover and highlight the very best in literature that grapples with expressions of the Christian faith.”  She asked me to join the creative non-fiction judging panel for the creative non-fiction.  I agreed.

The short-list was released on October 1st:  Evolving in Monkey Town by Rachel Held Evans, A Million Miles in a Thousand Years by Donald Miller, Halfway to Each Other by Susan Pohlman, God Hides in Plain Sight by Dean Nelson, and Hear No Evil by Matthew Paul Turner.  All of the authors were new to me, although I have heard of Miller’s best seller, Blue Like Jazz.  From reading the blurbs, I didn’t have a sense of which book I would be drawn to, which I guess is a good place to start the process.  I’ve never ‘judged’ a book before and found that I read each one with a much more critical eye.  There are exclamation points in the margins or comments such as “needless tangent” and “pacing shift too abrupt.”

I entered the discussions last week with a couple of favorites and a top choice, Evolving to Monkey Town.  Many Christians, including myself, don’t have a dramatic conversion story.  We weren’t drug dealers, evil bosses or abusive people, we simply grew up in the church.  For us, there is a time when we transition from accepting the faith of our families to finding a faith of our own.  That transition can be subtle or rocky, quick or lifelong.  For Evans it was tumultuous and she showed great courage in sharing it so honestly in her book. As I stated in the INSPY Award press release:

Evans’ Evolving in Monkey Town chronicles the author’s move from complete acceptance of the faith of her childhood, through a desolate period of questioning, arriving at a renewed conviction about the love of God. Interweaving her own tale with the views of people she meets, Evans juxtaposes all of the voices about God in her life. Evans’ honesty in telling her faith journey impressed us along with how much her love of the Lord imbued the entire narrative.

In an interview on the INSPY Award website, Evans described why she writes about her faith journey:

For me, the biggest challenge in writing about my faith is that it is always changing. Like a lot of twenty-somethings, I’m going through that quarter-life reevaluation of things, struggling through some difficult questions about life and faith and Christianity. So rather than sharing these grand spiritual insights with my readers, I find myself writing about the highs and lows of the faith journey, the view from wherever I happen to be. As it turns out, this ever-evolving approach to faith is a bit more universal than I originally thought, because readers seem to really connect with the idea that faith is less about certainty and more about risk. So the challenge is also the benefit. I’ve made my readers feel less alone in the journey, and now I feel less alone too. And isn’t that the point of writing? To feel less alone?

I found it delightful to read about Evans faith journey.  She asks the questions that many Christians mull over without dictating an answer.  In fact, that’s one of the points of her book, to spend less time insisting on the answer and more time explore the questions with God.  Congratulations to Rachel Held Evans on winning the first INSPY Award for creative non-fiction.

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No, not Eugene, although that would be quite a trick.  Last Friday, the Beverly Hills Literary Escape hosted an intimate coffee with Joseph O’Neill.  He was in town to discuss his recently re-released memoir, Blood-Dark Track. The book was initially published a month after 9/11 (i.e., before Netherland) in such a way that “it wasn’t in any bookstore.”  O’Neill said it was safe to say that the only people who read it then were his family.

The book is the tale of O’Neill’s two grandfathers.  His Irish grandfather was an extreme activist, heavily involved in the IRA.  In contrast, O’Neill described his Turkish grandfather as an extreme bystander, someone who felt he could continue on with business ignoring the implications of the brewing world war.  Both views landed them in jail during WWII.  The Irish grandfather was imprisoned for his IRA involvement.  The Turkish grandfather travelled to Palestine to pick up a crop of citrus fruit to sell in Turkey and was arrested as a spy for the Axis countries.  O’Neill used both characters to ‘bore a hole through history.’  He recommended people discover their ancestors to learn more about their family and the bits of history that cling to them.

O’Neill admitted that as a result of the book tour, he was thinking about connections between Netherland and Blood-Dark Track.  The writing of Blood-Dark Track organized a lot of his political thoughts that otherwise would have spilled out in Netherland.  Without Blood-Dark Track, Netherland would have been a different book.  While Netherland is a post-9/11 book, he feels Blood-Dark Track is also.  It shows how his family dealt with a dramatic event, WWII, and the confusion caused by evaluating what they believed in and were willing to fight for.  He sees a connection in the books concerning how we view ‘the other’ or whether we see them at all.  His Turkish grandfather was alive during the Armenian genocide, yet his family said they ‘didn’t see it.’  O’Neill argues that they created a life that resulted in ‘not seeing.’  O’Neill consciously used cricket as a metaphor for the American vision, how far are we willing to see others who engage in activities were are completely unfamiliar with.  How we create lives so that we don’t interact with ‘others,’ and what the result can be of our unseeing.

O’Neill doesn’t think he could write Netherland now because he has lost his outsider view.  He described the advantage of being an ‘insider’ is the access to information, but the upside to being an outsider is that the person doesn’t have blinders on.  O’Neill’s lived here a few years and what stood out to him in the past is now just part of the scenery.  Although, he said he is still surprised Read the rest of this entry »

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I’m counting the days to this event!

Watch for a seismic shift in the literary landscape of Southern California next month.  No, it won’t be an earthquake, it’s the inaugural Beverly Hills Literary Escape, a unique weekend for literati.  This isn’t another festival where the attendee sits in the audience listening to a panel of authors and a moderator and then line up for a few Q & A, here the goal is for everyone to mingle and have conversations.  The organizers, Julie Robinson and Tyson Cornell, are striving to create an European cafe culture and Algonquin Round Table atmosphere of give-and-take between authors and readers.  Here’s the schedule:

I’m in a terrible choice bind about which events to choose for the lunches and afternoon lectures.  I can tell you this, I’ve never met a woman who hasn’t fallen in love with Lynn Batten after hearing him talk about Jane Austen.  I recommended both Ethan Canin and Susan Straight before and would love to hear them speak, but that could mean downgrading my groupie status with Lynn.   What could be better than having lemon cake with Aimee Bender, yet one of my favorite books this summer was Gin Phillips’ The Well and the Mine (if you liked The Help, run to the store to get The Well and the Mine).  I’ll be wallowing in the torture of deciding for awhile.

Two events are free:  An evening with Colum McCann author of Let the Great World Spin where he will receive the first Medici Book Club Prize (more on that in a future post) and a discussion with Abraham Verghese, author of Cutting for Stone. The prices for the remaining events vary and there are passes for multiple events. (Click here to purchase tickets.)  Readers of Bookstore People are entitled to purchase the lowest price passes and tickets for conversations by using the discount code LITERARY. There will be one private VIP event, a coffee with Joseph O’Neill, author of Netherland, on October 15th.  We have one ticket to the O’Neill coffee to giveaway, just leave a comment that you want it by 11:59 October 7th and we will pick the winner.

It looks like a spectacular event, don’t miss it!

Disclosure:  Kim is a Medici Founding Patron

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My girlfriend, Jackie, sent me this link today.  I hadn’t heard of The Gift of an Ordinary Day by Katrina Kenison until I viewed this video.  Normally, I wouldn’t recommend a book until I had read it.  However, I love the message of the video, that it’s the ordinary days that create the fabric of life.  One of my many Kim-isms it that, the moments in my life that are the most meaningful to me aren’t planned and they are frequently small.  I love our adventures, but I know that what binds my family together is the daily ride home from school, the family dinners, or the inside jokes.  Don’t get a romantic view of our life, those rides home can be sullenly silent, many dinners can be aggravating and the jokes can fall flat, but that’s part of creating the ties.   So, even though I haven’t read the book and knowing what my schedule it between now and Mother’s Day, I won’t be able to read it by then, the video itself is worth the time to watch.  Then, follow my example and buy the book and add it to the mix of what you plan to read, soon.

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