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Book lists abound at the beginning of summer and then again at Christmas.  Two distinct types of books generally populate these lists; lighter books for reading in the sun, preferably by a beach, pool, or campsite, and books with a more serious bent for the days when the we envision ourselves curling up by the fire with a book.  I live in Los Angeles where it is beautiful year round, but still find my reading falls into this timeline.  At one of my book groups, a member suggested reading Proust for the July meeting.  I very much want to read Proust, but said he should be read in the winter.  Swann’s Way feels oppressive in bright sunshine, for me there needs to be a bit of a chill in the air.

Few things catch my eye as quickly as a book list.  First, it’s a quick way to learn about new books, no long review of the book, just a snapshot.  Second, certain types of lists test my reading.  How many books on the greatest works of the 20th century/all time/American literature, etc. have I read?  I like the lists where I’ve read many of the books, I feel affirmed.

When this week’s Newsweek arrived I raised my eyebrows.  First, the cover isn’t Michael Jackson (and with all respect to his family and fans, I was relieved), although the newstand version has his picture, the subscriber one does not.  The cover is a picture of someone reading, a book (in paper), and the feature article is “What to Read Now.”  Not summer reading list, not the best whatever list, but what to read to understand our world better today.  50 books. 

First, a quick overview of the list, then the calculation.  Of the 50 books, I’ve read six, so I’m over the 10% mark, a mark only good as an interest rate on a savings account.  I tried adding in the books on the list that I own and that I have seen my Mom or Leslie reading.  It didn’t help too much. 

Books_SuperSLAHThe list is designed to help us understand our current world and the first book is The Way We Live Now by Anthony Trollope, written in 1875, that would be 134 years ago.   Actually, this isn’t the first time I’ve heard that book referenced, it’s about a financial and moral crisis in England and has a character that people have identified as Madoff.  If only more people read their classics. . .

The list is a combination of fiction, politics, history, sociology, psychology, religion, environmental, and science.   The topics chosen are interesting.  A couple of books on terrorism, of course, but also the roots of British soccer violence.  The environment is represented by Faulkner’s The Bear and Berry’s ode to the family farm in The Unsettling of America.  Biographies include J. Robert Oppenheimer (American Prometheus by Kai Bird and Martin F. Sherwin), Whittaker Chambers by Sam Tanenhaus as one of the founders of the modern right, and Winchell by Neal Gabler as the original Rush Limbaugh.  Race, war and film are covered also. 

It’s an interesting concept, thinking of books that help understand the world overall.  Which ones are you tempted to read?  Which ones would you choose?  I’m going to revise my list for the World Citizen Challenge with this in hand to broaden my viewpoint.

We’re not the only ones who want to hear your viewpoint on the books selected and your suggestions for other books, over at My Friend Amy there’s the opportunity to pick one of the books from the list to read and then discuss, join her conversation also.

FYI, Newsweek also crunched the top ten from several 100 Best Books lists and came up with their own Meta-list.  I did better here, I’ve read over 40% and heard of all but two of them.  Nothing very unusual about this list, War and Peace is first, 1984 second, and Ulysses is third.

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But it all starts with the books

I was close to tears.

It had happened twice.   The first time I sat down to watch the premiere episode of the Masterpiece Theater version of Charles Dickens’ “Little Dorrit,” I discovered it hadn’t recorded.  I was starting to panic when my daughter suggested I see if it was playing again.  Sure enough, I found it on another channel later that week and set the recorder.  But when I went to watch that recording, a different show appeared–and there were no more showing.  Twice thwarted in something I had been looking forward to, I had to struggle not to cry about a stupid TV show in front of my daughter.  What kind of example would that be for her?

It’s just . . .  my life is busy these days, which is nice, but sometimes overwhelming.  It’s so hard to find something that makes me purely and entirely happy, that doesn’t drain me or make me think of the ten thousand million other things I should be doing.   Sadly, I have so much obligatory reading these days–my daughter’s school book club, manuscripts people have asked me to blurb or review, novels my editors have suggested I read for inspiration, etc–and while much of it can be enjoyable, I still feel pressure to push through everything quickly.  And when I’m tired, sometimes I just want to stare at a screen. Read the rest of this entry »

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When books become movies

I finally saw “Watchmen.”  The original plan was for me to run out and see the very first matinee on the very first day it opened–and by “plan,” of course I mean “fantasy.”  I didn’t even come close.  It had been out for a couple of weeks by the time Rob and I actually made it to the cinema. 

I was dying to see “Watchmen” because I read the book this year and was blown away by it.  I wanted to roll around inside that book forever–it was that kind of feeling.  I like reading graphic novels in general, but Watchmen is to its genre what “The Simpsons” is to prime time cartoons: it inverts and subverts convention and defies expectations and yet somehow stays true to its identity.   If you haven’t read Watchmen, I can’t explain it to you–just go read it.  (And, by the way, according to one of my husband’s colleagues, I haven’t actually read Watchmen, because I’ve only read it once.  For legions of fans, you only really get to say you’ve read the book if you’ve gone through it at least half a dozen times.  And it is true that I probably missed tons the first time around–I look forward to rereading it one day.)

So I went off to the movie with a fair amount of anticipation.   Almost three hours later, I walked out with a fair amount of a shrugging sort of  ”well, that was kind of fun.”  Was it faithful to the original?  It was.  Did it transcend the original?  No.  Was it as good as the book?  Not really.  Was the adaptation flawed?  I’m not sure.   Would I have liked it if I hadn’t read the book?  I doubt it. Read the rest of this entry »

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The Joy of Rediscovery

Since my kids can tear through a middle reader book in about an hour, I find myself–despite my belief in supporting independent bookstores–frequently urging them to find the next volume in whatever series they’re reading at the school or local library.   They do, on occasion, but when it’s a book they’re particularly excited about or have reason to believe they’ll enjoy more than most, they’ll dig their heels in and say, “But, Mom, I have to own it–what if I want to reread it?”

Remember those days when you used to reread a book over and over again?  Before school got so hard and so busy that it was all you could do to keep up with your English lit and history reading?  Before you felt the weight of the hundreds of thousands of new books being constantly published and talked about and critiqued that you needed to catch up on?  Before you felt acquiring new knowledge was more important than simply lazing around, enjoying the adventure of a good book?

But maybe you still reread your favorite old books.  Do you?  This is a serious question, not a rhetorical one, by the way.  I’d love to know the answer. Read the rest of this entry »

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First buy a book . . .

It’s awards season, the time when people all across our great country are thinking, “I could write a better screenplay than THAT.”  In an incredible show of goodguyship, my husband Rob took a break  from writing episodes of “The Simpsons” to read and review some of the top screenwriting how-to guides for those who want to plunge in.  The rest of this post is all him:

Aspiring novelists who walk the fiction aisles at the bookstore wonder how it must feel to finally have a book published after years of hard work, and then they all have the same thought:  maybe I should just write a screenplay.  Movie scripts are a lot shorter, pay a LOT better than novels, and if you do sell one, you’ll have time and money to write your novel, for which, of course, you’ll write the screenplay.  Or maybe you should just write the screenplay first.

The problem is, how do you go about writing a script?  Might there possibly be a book out there that tells you in insufferable detail how to go about the process?  Actually, there are several hundred of those–leading to the thought that maybe the aspiring writer should skip both the novel and the screenplay and go right to publishing his own writing guide.

Anyway,  Claire and Kim asked me to come up with a list of the best screenwriting how-to books, but after agreeing, I realized that I haven’t bought one of these books in years.

So I headed over to The Writer’s Store in Los Angeles.  I spoke with Anthony, one of their extremely knowledgeable salesmen, and asked him to name their top-selling screenwriting book.  He immediately said, “Save the Cat” and pointed to a big empty space on the shelves where it sits when it’s not sold out.  I bought several others he recommended, found my old favorites, and borrowed Save the Cat from a friend, knowing full well that just because it was the flavor-of-the-month didn’t mean it belonged on my list.  From those choices I compiled my top-five list of screenwriting books: Read the rest of this entry »

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