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The Los Angeles County Museum of Art showed Christian Marclay’s ‘The Clock” in its entirety, from 11AM yesterday to 11AM today.  In the simplest terms, ‘The Clock” is a movie of thousands of film clips most of which are clocks that reflect that exact time.  When the clocks on the screen showed 3PM, I looked at my iPhone and it said 3PM.  I checked it several times during the span from 2:45 to 4PM that I watched and then again from 9:05PM to 10PM and every time it was accurate.  On a superficial level, I spent over two hours yesterday literally watching the clock.  With this movie, watching the clock is fascinating.

Of course there isn’t an overarching story for the film, but what’s the uniting theme for time other than it passes?  Nevertheless, there are quips and consecutive sequences that wash over the viewer.  Not an entire story, just snippets.  It occurs to me that most hours and days aren’t complete in themselves, they are fleeting experiences sometimes totally a whole, sometimes not.  I wondered if I would enjoy a lack of narrative and in the end, I found it relaxing almost a relief to only watch.  I let time wash over me with a series of images and puns, sometimes sparking a thought, other times a smile, always interest.  The experience felt like a visual Google search about the clock.  The front page of any Google search result is a listing with a reference and a fragment of a description, enough to inform a decision about further exploration, or not.  ’The Clock” felt like the movie version, I only saw a flash of scene, a heading so to speak, and maybe a little more, yet I could tell how it related to the topic.

I didn’t plan on going twice, but I wanted my family to see it.  During the afternoon I saw Big Ben multiple times, scenes of kids in school and getting out of school, people leaving work, shopping, a nap or two.  I didn’t stop to think about how the time affected the activities portrayed.  During dinner I described the movie to my family and we decided to dash back to LACMA to experience it together.   We arrived at 9:05 to see violence, crime (two murder scenes), anxious waiting, and an execution.  At one point I looked over at Kelsey to see her eyes closed and covering her ears.  How much do we as a culture imbue the hours of the day with certain meaning?  I wonder if I have a silent but underlying emotional reaction to different times of the day.  I don’t think I’m the only person who is more on guard at night, but seeing all the scenes together elevated the anxiety.  Plus, it was only 9PM!  It’s caused me to think about whether some of our reactions are natural and wise, and maybe others are heightened by media.

The 24 hour showing ended this morning, but starting Friday, LACMA will be showing the film in real time while it is open from 11AM to 8PM.  I’m going to drop in now and again to catch a few more hours.

(I hoped to find a scene or two shot in a bookstore, but didn’t notice one, let me know if you did.)

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Here are some of the interesting articles I’ve found on the web and saved to share in one batch.  Enjoy!

Bookstores serve another, more subtle purpose: they tell us what our fellow human beings are currently interested in or concerned about. Bookstores are a billboard of our preoccupations. Consequently, I make it a point to read the bestsellers lists to identify the zeitgeist of our times. And it is often alarming to consider what people are spending their time reading about.

We all need to refresh our thinking from time-to-time:

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Tomorrow’s the Oscars

I just checked the list of nominations for best adapted screenplay for 2010 and have to admit I haven’t read a single source material.  (I don’t think they’re all based on books, but of course Precious is).   So my pre-Oscar post isn’t directly relevant to this year’s list but I like to think that makes it ageless.

All my life, I’ve loved to read and I’ve eagerly looked forward to seeing movie versions of books I’ve loved, an experience not unlike coming home from a trip alone with your spouse when you walk into your house thinking, “I can’t wait to see my kids!  I love them so much!” and the first few minutes of reunion are, indeed, wonderful . . . and then someone starts whining, someone starts demanding, someone throws up–in short, reality sets in.  So it is with going to see movies based on your favorite books.  The opening titles throw you into a frenzy of delight and anticipation.  And then the movie starts.  And you’re like, “Wait, that’s not what he should look like . . .  She never said that in the book! . . .  They were supposed to go to Italy before getting married . . . Oh, come on, everyone knows she would never do anything like that . . .  Wait, what happened to that whole scene in the park?  . . .  Her mother shouldn’t look that old . . .”  And so on.

We’ve all been there. Read the rest of this entry »

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Waiting in line to enter a screening of “Bright Star,” I twittered “I hope to hear romantic poetry.”  I also wanted to curl up with a love story.  Both of my goals were met by a movie that is dripping with romance.

The Movie

“Bright Star” is the classic, beautiful, period piece with lots of Oscar potential.  Watch the trailer, the film is visually lush and rich:

For me, the movie brought back all the romance and giddiness of first love; I felt like a teenager again.  Keats and Fanny are so in love they hardly notice anything other than each other and they practically cease to function when separated.  Jane Campion captures all the drama of first love in the scene with Keats pacing in the rain outside Fanny’s house, or Keats and Fanny leaning against each side of the wall that separates them, or in the daily emotional upheaval caused by the arrival of the mail.  I enjoy poetry best Read the rest of this entry »

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julia-child-the-way-to-cookKelsey and I spent a summer evening visually savoring the delights cooked up in Julie & Julia.  Meryl Streep’s portrayal of a determined but light-hearted Julia Child attending Le Cordon Bleu and then painstakingly writing Mastering the Art of French Cooking, intertwined with Amy Adams as Julie Powell, the lost secretary who changed her life by cooking all 524 recipes in a year, showed us the importance of practicing their passions.  We cheered when the aspic recipe fell on the floor because none of us wanted to watch anyone eat it.   The desserts were a hit all around (we’re game to try eating a whole chocolate cake with our hands), cooking a lobster may defeat us, and boning a duck we would probably throw our hands up at, but we’re all willing to cook something beyond hamburgers.  We’re thinking the beef bourguignon; a pivotal recipe is several scenes.  Julia describes herself as “fearless” in the kitchen and her example reignited my desire to cook.

Excited to dive into Mastering the Art of French Cooking, I leafed through it at the bookstore.  Every recipe had multiple steps and a long list of ingredients.  I cap out at 5, maybe 8, ingredients and a page of instructions made my head ache.  I put the book down.   Mastering the Art of French Cooking is not The Way to Cook, Julia’s book that first taught me how to cook. 

Prior to marrying Keith, I prepared one dinner for him.  It was a given that he would be the cook in the family and with 5 recipes under his belt, his knowledge surpassed mine.  One year later, I couldn’t bear to eat another bite of any of those recipes.  Keith’s parents came to the rescue by giving me The Way to Cook. Read the rest of this entry »

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