art gallery

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Kelsey enjoys art that incorporates words.  I like almost all art.  I love taking my kids to exhibits, far more than they like going.  I knew as soon as a Ruscha exhibit was in the area, Kelsey would enjoy it.  He’s the consummate manipulator of words and landscape.  I never tire of wondering about the connection between his visuals and choice of text, sometimes I come up with something that feels enlightening and sometimes I come up empty.  Either way, the thought process is fun.

This week we visited Ed Ruscha: On the Road at the Hammer Museum, a series of paintings and photographs inspired by Kerouac’s On the Road.  The first room of the exhibit contains paintings of the tops of Ruscha’s signature mountain ranges with selected phrases from the book.  My favorite was the green “greatest seventy-yard passer in the history of New Mexico state reformatory.”  I chuckle every time I think of it. It describes a characteristic that isn’t quite resume material, but everyone should be great at something, I guess.  Neither Kelsey or I have read On the Road, but you don’t need to know too much about the book to enjoy the exhibit.   I read The Grapes of Wrath last spring, and scenes from that book resonated with me through out our visit.  Smaller paintings in the room contained phrases over a splattered background, while not quite as monumental, they’re still interesting.

I interpreted a bit of a biting tone in the art.  I saw a commentary on America that included an element of snarky in it.  Then Tany Ling started to sing.  We chose our visit to coincide with an ongoing event called “Sing Your Favorite Book.”  Several times throughout the run of the show, a performer is in the gallery singing his or her favorite book.  During our visit, Tany Ling, a contemporary and experimental music singer who performs all genres, sang from The Yiddish Policeman’s Union by Michael Chabon.  She performed excerpts as if they were a Gregorian chant.  It was beautiful to listen to and brought an entirely different mindset to the work.  The paintings felt more majestic, the words took on greater import, the entire exhibit was recast in a new light.  Changing one sense, hearing, deeply affected the viewing experience.  Kelsey came away enthralled by the music, I left intrigued by how my perception of the art changed.

The second room displayed an illustrated On the Road compiled by Ruscha.  A combination novel and artist’s book, Ruscha illustrated the novel with photos he either took, appropriated, or commissioned.  It’s amazing.

The exhibit it up until October 2nd.  Sing Your Favorite Book performances are scheduled for August 11, August 19 and October 1.

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Last year when we visited Italy, it was a very art heavy  vacation.  Wanting to make sure the kids would still want to go away with us, this year I kept the art light.  Having said that, there wasn’t a chance I was visiting London without going to the National Gallery.  And what better way to travel around the world in 2 hours than by visiting the British Museum?   For the National Gallery visit, we sent the kids back to the hotel in a cab and Keith and I met a guide from Context Travel who led us on a whirlwind 3 hour tour.  [This is my third experience with Context Travel and each one has been well worth the hefty price tag.]  For the British Museum, I sent the family on a scavenger hunt.  Everyone needed to find one item from each continent (Antarctica could be skipped if needed) and no one had to take a tour.  In the end, everyone was amazed by the Rosetta Stone, the Egyptian section and Elgin Marbles, without a word from me explaining their importance.  Perfect.  Here are my brief thoughts on the bookstores at each museum:

The National Gallery – The Bookshop

I found my favorite museum bookstore case:  it’s about 4 feet high and wide, has three shelves and is full of art fiction.  I’ve never seen a museum bookstore give this genre it’s own section.  The shelves contained Byatt’s Matisse Stories, Zola’s The Masterpiece, Pamuk’s The Color Red, and Rembrandt’s Whore by Matton and Black.  There were several books I hadn’t read and I’d forgotten all about Byatt’s book.

In general, this store is very similar to good museum stores in the US, not quite the Met Store, but then again, what is?  There is a wide selection of art theory, art history, technique, museum studies books.  The requisite large bookshelf dedicated to National Gallery publications.  A great kid’s section which made me long for the days when my kids loved museum stores until it occurred to me how much money I save by not buying the puzzle that is twice the normal cost because it is a famous painting.  We never did finish the Botticelli puzzle we bought last year, all that creamy skin got confusing.

The British Museum Bookstore

Tucked away in small room is the British Museum Bookstore.  It’s a space completely dedicated to and packed with books.  I’m not an anthropologist, but I’m guessing this store is an anthropologist’s dream.  The store is divided primarily by geography (Asia, India, Europe, Greece, Americas, Britain, Egypt) including all seven continents.  Not surprisingly Read the rest of this entry »

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After spending the day at SFMOMA, I walked around a couple of corners and down a flight of stairs to quiet art gallery and bookstore, Crown Point Press.  The store is perfect for this neighborhood of galleries, a modern art museum, and the Academy of Arts.  With just under half the space devoted to books,  the offerings are used (as in ‘like new’ or ‘not newly published’) art books.  I found a Lichtenstein at SFMOMA that interested me, so I pulled out the catalogue from an exhibit of his work that occurred years ago and looked for similar paintings.  Once I noticed the price, $225, and the excellent condition of the book, I flipped through carefully.  The price made me wonder about whether or not I should take another look at the catalogues of art exhibits that I have shoved on bookshelves, maybe they are worth more than I thought.  More importantly, it reminded me that the exhibit catalogues are full of information, good ones aren’t just expensive picture books.  Crown Point Press has a wall full of luscious monographs and exhibit catalogues.

The bookseller was incredibly helpful.  While a good museum bookstore has a concentration of art books, what I have yet to find is a bookseller at a museum store.  Don’t take me wrong, people are often helpful at the stores, but they aren’t booksellers.  This woman was a bookseller who specialized in art.  I asked about an artist I heard about at the Getty Research Institute, Malvina Hoffman.  Actually, what I said was ‘there is an interesting artist that I’d love to find more information about and for the life of me, I can’t remember her name, but I’m sure her initials are MG.” (Note, the initials are MH, good grief.)   I apologized and said my memory has a new tendency to fail me, she replied “it’s only going to get worse” and then started pulling down books about women artists.  She went through several books while I told her Hoffman’s story trying to find something about my sculptor.  Coming up empty, I took her card to contact her the next time I start looking for books about Hoffman.  This is the store to contact if you need someone to keep an eye out for unique art books.

The art criticism and essay shelves were full of out of print gems.  Unfortunately, most of the books were pricey and I was too tired to evaluate if I should spend that much money.  In the end, I left empty handed, but of all of the stores I visited in San Francisco, it’s this little corner bookstore that I remember the most.

Crown Point Press

20 Hawthorne St.

San Francisco, CA

Tel:  415.974.6273

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If you’re interested in modern art, your Mecca is the Museum of Modern Art in New York City.  Room after room contain stunning examples of some of the best art in the last 150 years.  I spent an entire morning in the current Matisse exhibit and then all afternoon in the permanent collection.  On the way out, I stopped by the two MOMA bookstores.

My first test for a museum bookstore is what books are available to supplement the current exhibit.  For the Matisse exhibit, MoMA produced a stunning catalogue, Matisse:  Radical Invention 1913-1917. I bought the catalogue before visiting the museum, read most of it, and then brought it along with me.  This is a great approach if you love the art you are going to visit, I appreciated the paintings more than if I was just encountering them for the first time.  However, beware of the heft of catalogues, this one could throw out your back.  In the bookstore, there was a variety of Matisse related items, a few biographies, a book about his relationship (competition with?) Picasso, a small book about the MOMA permanent Matisse collection, and a collection of his writings.  It was very tempting not to pick up some of these gems, however, the catalogue was all I was willing to cart back 10 blocks to my hotel room.

The rest of the bookstores are equally as impressive.  There is one store located on the second floor mezzanine which can only be accessed with an entrance ticket, it is quieter and has a row of chairs for reading and perusing books.  The downstairs store has a wider selection.  MoMA publishes its own books that help access its permanent collection.  I bought a small book on Lichtenstein works in the permanent collection (simply called Lichtenstein) and read it over lunch.  I saw a Lichtenstein at SFMOMA, “Figures with Sunset,” that I fell in love with and was hoping to learn more about the artist at MOMA.  The book is terrific, in fact if I had more time at MoMA, I would by books on other artists in this series (Picasso, Van Gogh, Matisse).  In about 40 pages, the author, Carolyn LanchnerRoy, pinpointed Lichtenstein’s place in pop art and his foundation in and reference to art history in his works.  The disappointing part was that only one Lichtenstein was on view that day.  While I understand that there is limited space, if a museum is bothering to write a book about its collection of a certain artist, it should have more than one piece on view.

In addition to shelves of books published by MoMA (a catalogue of the permanent collection, a highlights book, catalogues from past exhibits), the bookstores have masses and masses of monographs on specific artists. Given the time frame that modern art covers (1860s onward) when technology created new genres of art, the stores include significant photography and film sections, topics generally not covered well in non-modern specific stores.  In general, it Read the rest of this entry »

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LA Times Festival of Books logo

This is the literary weekend in Los Angeles.  Rumor has it that the LA Times Festival of Books is the largest literary festival in the nation.  There are hundreds of hours of panels (tickets are free but must be obtained beforehand), festival stages with readings, a large children’s section, and hundreds of booths with bookstores, publishers, authors, and literary organizations.  Check out the website for a listing of the panels, readings and author signings. 

On Saturday I’m attending a morning panel of Security and American Ideals, then working at the Heifer International booth from noon to 3PM, then dashing to a publishing panel in the afternoon.  Please stop by and see me at the Heifer booth (#846).  Page McBrier will be signing copies of Beatrice’s Goat on Saturday (you can still enter to win a copy for free). 

If you’re at the Festival on Sunday, I’ll be back in the Heifer booth from noon to 3PM.  I’m also stopping by the Book Soup booth on Sunday afternoon between 2:30 and 3:30, Nancy Mehagian will be signing copies of Siren’s Feast, An Edible Odyssey, a memoir with recipes, and giving away homemade stuffed grape leaves.

But the Festival isn’t the only literary event this weekend.  Literary Affairs is hosting a fundraiser for the NEA at the William Turner Gallery featuring Muriel Barbury, author of my favorite book in years, The Elegance of the Hedgehog.  A private book discussion starts at 6:30 and then a cocktail party with Ms. Barbury and a variety of authors begins at 7:30PM.  Check the website for very reasonable tickets.

But Saturday night will still be  young at the conclusion of cocktail party and Granta Magazine’s launch party at Equator Books will just be getting started.  Equator Books is a combination bookstore, used record store and art gallery in Venice that is struggling.  The community is rallying around the store (we’ll be posting about it soon).  One example, admission to this event is the purchase of a book, as if that is ever in doubt when I walk into a store. 

This is a weekend worth waiting for all year.  If you have any other literary suggestions for the next two days, please share them in a comment.

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