In 2003, Inkwood Books gathered together 20 other independent Tampa retailers to host independents weekevents and activities that promoted shopping at locally-owned businesses.  This year, the American Independent Business Alliance (AMIBA) took up the cause with gusto and Independents Week is a nationwide and growing force.  In addition to the Tampa, there are activities in Utah, North Carolina, Texas, New York, Nebraska and California.  Several business in Arizona offer 20% off coupons to encourage local shopping this week.

Why is local shopping so important?  The AMIBA states that dollars spent in local businesses stick around your community three times longer than those given to a chain.   The American Booksellers Association, via the Indiebound website, gives specific reasons for shopping at your local businesses:

The Economy:  Spend $100 at a local and $68 of that stays in your community. Spend the same $100 at a national chain, and your community only sees $43.  Local businesses create higher-paying jobs for our neighbors. More of your taxes are reinvested in your community–where they belong.

The Environment:  Buying local means less packaging, less transportation, and a smaller carbon footprint.  Shopping in a local business district means less infrastructure, less maintenance, and more money to beautify your community.

The Community:  Local retailers are your friends and neighbors—support them and they’ll support you.  Local businesses donate to charities at more than twice the rate of national chains.  More independents means more choice, more diversity, and a truly unique community.

Of course, here at Bookstore People, we advocate always shopping at your local bookstore, in our opinion the crown jewel of independents.  To celebrate both Independents Week and independent bookstores, my3books is hosting a contest, tell them your favorite independent bookstore and the winning store receives a signed set of the Twilight series.  Show some love to your favorite store and enter it.

Make an effort this week to track how much of your shopping is done at local businesses.  Even better, spend your holiday dollars with an independent business while celebrating the 4th of July.

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I’m not the only one wondering

Right now my 9-year-old is working his way through The Phantom Tollbooth–arguably the most influential book of my childhood–and when I hear him chortling in glee or he comes running in to read me a funny passage, my heart leaps with the pleasure of knowing my child is coming to love a book I too loved when I was his age.

I have to stop to savor the moment because it’s so frigging rare.

I have tried over and over again to interest my children in the books that I loved when I was a kid, and over and over again I’ve found myself defeated, sometimes in the starting stages (”This just doesn’t look good to me”) but more often–because they’re good kids who do want to please me–after a few pages or even a few chapters have been essayed.   

The two main complaints?  “It’s boring” and “It’s too hard.”

I’ve discussed the first issue with a lot of people, including our wonderful lower school librarian, and we all agree that the issue is probably that most books being written for kids today just bristle with action.  From Harry Potter to The Lightning Thief to more girly books like Ella Enchanted or even something like The Clique, modern kids’ books start at a frantic pace and don’t let up.  They’re plot-driven and full of action and as soon as our heroes get out of one adventure they’re plunked face down in the next.  An adventure doesn’t have to be anything mystical or epic, of course–it can be a date or a job or a school test.  The point is just that there’s little time for introspection or character development because so damn much is always going on. Read the rest of this entry »

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waitressMy favorite part of The Waitress Was New by Dominique Fabre, translated from French by Jordan Strump, was the aura of compassionate melancholy it created.  It reminded me of a quiet, contemplative morning or a deep, thoughtful conversation–significant topics are approached, but not in crisis mode.

The main character and narrator of the book, Pierre, is a life time bartender who has worked at Le Cercle, a neighborhood cafe, for over 15 years.  His current life is a set-dance with customers, employees, owners and a friend.  Nothing too startling or unexpected happens in a normal week, just a series of static, caring interactions where everyone moves through his steps as the week progresses.   While there is a sense of loneliness, it is tempered by Pierre’s empathetic view of world and the people in his life. 

Through stream of concious narration with memories woven in, we learn that Pierre’s life hasn’t always been so calm.  He suffered through substance-abuse rehabilitation and ended a few significant relationships, yet at 56 he looks at those events almost as the youthful exploits of a by-gone era.  He is starting to think of retirement and the end of his life.  This is the one aspect that struck me as culturally different, American culture doesn’t view 56 as a retirement age, more likely a second career age.   Pierre’s thoughts and emotions seemed to mirror those of an American who was 20 years older.

Pierre’s world is rattled when the owners of Le Cercle decide to leave Paris, close the cafe, and start anew.  Pierre continues to go to the cafe for another week, mostly sitting at the bar and looking at his customers visit the cafe across the street.  The flap of the book stresses this change in Pierre’s life, but I think it leads the reader astray.  We don’t learn what Pierre does with his life, I assume he found a similar job at a different cafe and builds a similar set of relationships.  For me, the book is a portrait of man and his thoughts as he takes stock of his life.  The book gave me a view of a life I wouldn’t have any other way of encountering.  The sweetest aspect–Pierre is a lovely man who encounters people and events from a positive viewpoint.  While quiet and reserved, he is compassionate and accepting of the people in his life.  To walk in his shoes for 117 pages was bittersweet.  Pierre is a character you can carry in your heart and cherish.

Dominique Fabre is a French author known for writing about people on the edge of French society, the types of people that aren’t usually given the main character role in novels.  This is the first English translation of his work.  Archipelago Books published The Waitress is New.  Archipelago Books is a non-profit publisher that strives to enhance cross-cultural exchange by bringing foreign literature to the United States.  I’m thrilled the author and the publisher gave me the opportunity to see this view of Parisian life.

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fireworks1About nine months ago, I tripped upon the WPA American Guide series at Wessell & Lieberman Booksellers, Inc.and decided to collect them.  As a refresher, the WPA hired writers to compile stories, facts, folk songs, and travelogues about locales all across the nation–from states, to landmarks, to cities.  There are approximately 1,000 volumes.  I own six so far.  I’m not the only one inspired by the series.  Matt Weiland and Sean Wilsey, the editors of State by State:  A Panoramic Portrait of America, compiled a modern day equivalent.  They asked 50 writers to prepare an essay about a state.  Some of the writers were natives, others transplants, and a few visited to give a fresh look at the state.  Weiland and Wilsey’s conviction is that Americans are largely undescribed, and despite the repetition of Starbucks, Gap and Walmart across our nation,

[t]he fifty states differ in landscape, topography, and weather; in political outlook, cultural preference, and social ideals; in accent, temperment and sense of humor. . . The fifty states themselves have individual places in our collective imagination, and they offer their natives a mind-set, even a world-view.  For all of the talk of identity in American life, the personal fact that defines American lives as much as gender, ethnicity, or class is where you’re from, which more than anything means your state.

state by stateAs a Californian who can’t imagine living anywhere else, I read William Vollmann’s California essay first.  I didn’t like it, in fact I almost stopped reading the book.  Much of it felt like a re-hash of what is written over and over again–Owen’s Valley per “Chinatown,” sensationalizing San Francisco, four paragraphs into the essay the author mentions The Day of the Locust.  Yawn.

Yet, as a fan of “This American Life,” I moved on to Montana written by Sarah Vowell.  Within five pages, I discovered a sense of place and culture that I didn’t feel after spending two weeks boating, hiking and touring the state.  That is Read the rest of this entry »

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entertaining-disasters-cover

Catherine Ettlinger of Unconfidential Cook and many other astounding feats, is a long time friend of both Claire and me.  Unconfidential Cook is not to be missed.  The premise of the blog is that people share the wonderful recipes that they find and use.  There are easy recipes (those would be the ones I use) and some more challenging (those are the ones I request that Catherine make when I’m at her  house).  Claire swears by the flourless chocolate cakewhich I have even made and it’s one of the best chocolate cakes ever.  However, the biggest impact Unconfidential Cook has had on our life are school lunches.  We’re all sick of sandwiches and Catherine has stacks of advice for alternatives, many are just choosing great appetizers to bake while the kids are eating breakfast, then wrap up, and drop them in the lunch bag.  Moreover, Catherine’s husband Bruce photographs all of the food and you just want to eat your screen looking at the scrumptious offerings.  While I’m on vacation, Catherine chipped in the following post.  She refers to her “Unconfidential Cook” dinners which she has graciously included me, they are full of wonderful food and even better conversation.  I spent one evening talking to Nancy Spiller and then loved her book, Catherine shares why:

Nancy Spiller, author of Entertaining Disasters: A Novel (with Recipes),was one of my mystery guests at The Second Unconfidential Cooks’ Dinner—that is, I had never met her; she is a friend of my friend Susan. Her book continues a tradition of fiction with food that began for me way back when Nora Ephron wrote Heartburn (I’ve been making her vinaigrette—6 T olive oil, 2 T red wine vinegar and 2 T Dijon mustard—to great acclaim for decades). I pretty much love everything I’ve read in the genre. Really, what more could a girl want than good writing/eating?

The premise of Nancy’s novel is simple. The heroine, FW…freelance Food Writer…is about to host a dinner party, and to say she’s suffering a bit of stage fright is an understatement at best. FW has been writing for years about her fabulous dinners in all the journalistic nooks and crannies in LA’s celebrity/culinary scene. It’s expected that a meal at her well-documented hillside home surrounded by gorgeous gardens will be nothing less than a 5-star extravaganza with, of course, the most sought-after A-list guests.

Hard to live up to? You betcha, especially since it’s all been lies. She’s fabricated every scrumptious detail about every coveted invitation to Read the rest of this entry »

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